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Morgan had a show called Groovy Sam Riddle had Boss City and The Real Don Steele had The Real Don Steele Show.
#Reservoir dogs soundtrack list tv
And at that time in 1969 there was a real synergy between KHJ radio and its sister TV station, KHJ-TV Channel 9, which had three local-music shows. You were always in the car driving one place to another, and then you'd get home and turn it on there. Not only all the kids in elementary school, but all their parents listened to KHJ. But it was ubiquitous-everyone listened to KHJ. A lot of KHJ DJs, like The Real Don Steele, moved to 10Q around ’78 or something like that. And then, deeper into the ’70s, you might've listened to 10Q radio. I mean, unless you were black and you lived in Compton, Watts or Inglewood, in which case you probably listened to KJLH. So much of Los Angeles at that time was KHJ. And it seems to me that there's something very fundamental about the way radio connects to Los Angeles in this period. But this is the first time that you've had radio that wasn't of your making. Radio features in your entire filmography in one way or another-from Reservoir Dogs onward. I found that at 15, and here I am doing this at 50-whatever.
#Reservoir dogs soundtrack list movie
It was such a touchstone for me at 15 or 16, so the fact that my movie has a connection to that is really cool.
And it still was kind of hard to beat as time went on. That was probably my first soundtrack album. It had Wolfman Jack DJ stuff filtered through. One of the first soundtrack albums that I ever went nuts for was the American Graffiti soundtrack. The fact that that plays so seamlessly is very exciting. So it's just l20 minutes straight of KHJ.
One is the way we captured and cut together the one side that has all the radio stuff-the songs with the commercials with the DJ bit. What are you particularly proud of in the case of this soundtrack?Ī couple of reasons. You’ve said that you’re as proud of your discography as you are of your filmography. We asked him to turn up the volume and drive us around his world. The double-disc Columbia soundtrack album, which he curated with music supervisor Mary Ramos, is nominated for a Grammy (for Best Compilation Soundtrack for Visual Media). to the propulsive sounds of genuine AM radio. In his latest film, the magisterial Once Upon a Time in Hollywood, Tarantino conjures a gorgeous, uncannily accurate but partially mythical 1969, in which his characters-some pulled from real life and others from his imagination-blaze down the byways of L.A. Witness Jackie Brown’s titular heroine ( Pam Grier) schooling bail bondsman Max Cherry (the late Robert Forster) on the Delfonics, or DJ Jungle Julia ( Sydney Poitier) in Death Proof reeling off an ad hoc lecture on ’60s upstarts Dave Dee, Dozy, Beaky, Mick & Tich. Pulp Fiction’s adrenalized peaks were soundtracked with Dick Dale, Chuck Berry and Urge Overkill. QT will happily pause his onrushing plots for a discourse about the songs that matter. His debut bombshell, Reservoir Dogs, was wall-to-wall super hits of the ’70s, with “K-Billy” DJ Steven Wright providing the deadpan back-announcing-and Stealer’s Wheel the accompaniment to a signature mutilation. His most indelible creations are infused with rock, pop, R&B and more.
#Reservoir dogs soundtrack list full
Quentin Tarantino’s movies are full of music, but it’s more than that. radio, vividly recaptured on the Grammy-nominated Columbia soundtrack. A geeked-out Simon Glickman recently got the chance to speak with the acclaimed filmmaker they reminisced about the glory days of L.A.
Quentin Tarantino’s Once Upon a Time in Hollywood has received 10 Oscar nominations, including Best Picture, Directing and Original Screenplay, while Leonardo DiCaprio (Lead Actor) and Brad Pitt (Supporting Actor) and Robert Richardson (Cinematography) are also in the mix.
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